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Chess board, at the ready

Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris
To view my page on the Edwin Mellen Press website, please click below:

26 August, 2009

Shakespeare's "Venus and Adonis" and Iconic Realism (Click title to hear musical rendition of "Venus and Adonis" by John Blow (1649-1708)

"Venus and Adonis" by Francois Lemoyne (1729)

Iconic realism is evident in William Shakespeare's epyllion, "Venus and Adonis." He places these two beings of varying mortality in a lush setting, similar to the Garden of Eden, but the goddess of Love finds it impossible to obtain the object of her desire, for his own desires and eventual mortality triumph. Through his representation of this immortal creature in conjunction with a mortal setting and circumstances, Shakespeare uses the goddess of Love to elucidate his readers of the importance of suffering as a vital aspect in the human experience.
Painting of William Shakespeare by William Rock
Chinese Calligraphy of Hamlet's Soliloquy by Huang Xiang





2 comments:

  1. Into each life a little rain must fall, else we don't grow?

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  2. Yes, that sums it up nicely, TFE...and Friedrich Nietzche would agree, "That which doesn't kill us makes us stronger." ; )

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