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The Photograph

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Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris
To view my page on the Edwin Mellen Press website, please click below:

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:
April, 2016 @ University of Notre Dame:
A 'Daughter of Attila' Speaks: The Semiotic Theory of Iconic Realism in the Cultural Identity of Irish Celts and Magyars
November, 2016 @ Massachusetts Maritime Academy:
"A Terrible Beauty is Born"...The Semiotic Theory of Iconic Realism and William Butler Yeats' poem, Easter 1916
November 2017 @ Georgetown University:
Harmony of the Spheres and the Semiotic Theory of Iconic Realism in Sydney Owenson's Epistolary Tale, The Wild Irish Girl

Dates pending: I will present the theory of iconic realism at universities and art institutes which have purchased my book.



28 April, 2014

Chrysler Corp. Ad, "Imported from Detroit," and Iconic Realism (Click onto this title to view the ad.)

photo from Google images
"This is the Motor City, and this is what we do," states the singer, Eminem, in the Chrysler Corp. commercial aired for the first time during Super Bowl XLV.  In this commercial, a narrator defines luxury while the audience views a montage of iconic images of Detroit, Michigan, the "Motor City."

Born and raised in Detroit, Michigan, where my father worked as a paint chemist for Chrysler, I must say that I was pretty proud of those images. Positive images juxtaposed with affirmative statements illustrate a contrary point of view to that which the current world media has presented of the Motor City. This use of iconic realism brings into focus the cultural reality of the U.S. automotive industry and the possibilities associated with innovation and perseverance in any community.

And what vehicle to I drive? Why, a Jeep Liberty, of course!