Dante Alighieri's final book of The Divine Comedy is Paradiso. In this book, he demonstrates the theory of iconic realism in that he aligns the spirit of the beloved Beatrice with the true wisdom of God, yet he simultaneously illustrates the need for humanity to acknowledge the glorious virtues found within the constraints of human interaction.
CANTO IV, lines 28-39: The souls exist as projections of their truest light, the light that shines directly from God, which is their 'true home' whereas in lines 73-75, what the Pilgrim cannot learn directly must be taught him through analogy involving the senses, human physiological experience. This contradicts the earlier lines that indicate truth as intangible and experienced only through one's own enlightenment.
The human will does not enjoy freedom to move of its own accord; it acts in response to the intensity of individual motivation. When perfect balance exists between two motives, the will is deprived of its power to move, and becomes paralyzed. A paradox that remains is humanity needs to interact with others but resists the risk of reaching out to make a difference. The result is apathy.