In Arthur Miller’s play, The Crucible, characterization takes place within the parameters of a seventeenth century New England village. Yet, the message that Miller is sending to his audience parallels the political ramifications of the anti-communist hearings in the United States, when fear of communism heavily influenced the psychological landscape. He creates a series of events that illustrate iconic realism through his use of lighting, characterization and dialogue. As each member of the town accused of witchcraft is called to trial, the lighting and stage presence illuminates the audience to the author’s intention. Written in 1953, shortly after the anti-communist hearings, known as the House Committee on Un-American Activities, each character could represent some facet of the House Committee’s representation, for actions by the House committee resembled those of the drama’s magistrates.
However, the reality of the play is a seventeenth century New England village, during a time when actual witch hunts did take place. Miller admits to changing a few names and facts regarding the characters, “This play is not history in the sense in which the word is used by the academic historian… However... the reader will discover here the essential nature of one of the strangest...chapters in human history.” Miller chooses a tale of human interaction to demonstrate his concern for the cultural future of the United States and humanity in general. (Lakatos 2009)
I wonder... Have some current politicians and media anchors read this play? Somehow, I think not.
 Carr, Robert K. “The Un-American Committee.” The University of Chicago Law Review. 18.3 (Spring, 1951) 598-633.
 Miller, Arthur. The Crucible. (New York: Penguin Books, 1976) 2.