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The Photograph

"For as the earth brings forth its sprouts, And as a garden causes the things sown in it to spring up, So the Lord God will cause righteousness and praise To spring up before all the nations." (Isaiah 61:11)
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Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:

2023-24: I am writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

09 April, 2024

Paul McCartney's 'Blackbird' and Iconic Realism (Click onto this title to view Paul McCartney singing "Blackbird")

http://i152.photobucket.com/albums/s191/Atravesdevenezuela/paul-mccartney.jpg


Paul McCartney's song, "Blackbird," is an example of iconic realism. When he composed "Blackbird' in the spring of 1968, the United States was dealing with civil rights issues, the women's movement, the death of Dr. Martin Luther King, and the Vietnam War. Here, McCartney's focus is on the empowerment of the female African-American woman. 

The term 'bird' is an English slang for woman, and the blackbird is a literary symbol for freedom, so this blackbird, singing in the dead of night is the juxtaposition of an iconic, realistic figure in a realistic setting, not usually expected for that icon. McCartney's placement of this figure in this setting brings awareness of the hope for women, particularly African-American women, to find their freedom through equality within a 'sunken eyed' society. 

This simple song, introduced by a brief musical reference to Bach's Bourree, with meter changing from flowing waltz to a steady two-step, brings enlightenment of a cultural need for reform in regard to feminine empowerment in society. To this day, segments of the world's society need to awaken to the message in this song.