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The Photograph

"For as the earth brings forth its sprouts, And as a garden causes the things sown in it to spring up, So the Lord God will cause righteousness and praise To spring up before all the nations." (Isaiah 61:11)
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Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:

2023-24: I am writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

27 November, 2018

Art and Emily Dickinson



(calligraphy is from Dickinson's "The Soul selects Her Own Society," 
"My Life Closed Twice Before Its Close" and "Presentiment")
Click here to see Artists' Project

by Emily Dickinson

Calligraphy Translation: 
The soul selects her own society,
Then shuts the door;
On her divine majority
Obtrude no more.
Unmoved, she notes the chariot's passing
At her low gate;
Unmoved, 
an emperor kneeling
Upon her mat.
I've known her from an ample nation
Choose one;
Then close the valves of her attention
Like stone.
I never saw a Moor
My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me,
So huge, so hopeless to conceive,
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
Presentiment---is that long shadow---on the lawn---
Indicative that sun goes down---
The notice to the startled grass
That darkness---is about to pass---

By displaying the countenance of this reclusive poet in the midst of so many cultural icons, these two artists, Huang Xiang and William Rock, illustrate iconic realism of Emily Dickinson's poetry. In this painting by William Rock and the calligraphic representation by Huang Xiang, the iconic presence of Emily Dickinson's simplicity in connection with this honorable position illustrates her impact on human consciousness and the importance for humanity to look inward. Indeed, through her darkness, enlightenment has come to many. The use of blue and purple bring to mind the spirituality that surrounds this poet's expression: in her eyes, around the 'upper floor' of her mind and in her heart.