(calligraphy is from Dickinson's "The Soul selects Her Own Society,"
by Emily Dickinson
Calligraphy Translation:
The soul selects her own society,
Then shuts the door;
On her divine majority
Obtrude no more.
Unmoved, she notes the chariot's passing
Unmoved, she notes the chariot's passing
At her low gate;
Unmoved,
an emperor kneeling
Upon her mat.
I've known her from an ample nation
I've known her from an ample nation
Choose one;
Then close the valves of her attention
Like stone.
I never saw a Moor
I never saw a Moor
My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me,
So huge, so hopeless to conceive,
So huge, so hopeless to conceive,
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
Presentiment---is that long shadow---on the lawn---
Indicative that sun goes down---
The notice to the startled grass
The notice to the startled grass
That darkness---is about to pass---
By displaying the countenance of this reclusive poet in the midst of so many cultural icons, these two artists, Huang Xiang and William Rock, illustrate iconic realism of Emily Dickinson's poetry. In this painting by William Rock and the calligraphic representation by Huang Xiang, the iconic presence of Emily Dickinson's simplicity in connection with this honorable position illustrates her impact on human consciousness and the importance for humanity to look inward. Indeed, through her darkness, enlightenment has come to many. The use of blue and purple bring to mind the spirituality that surrounds this poet's expression: in her eyes, around the 'upper floor' of her mind and in her heart.