Mad Men and Iconic Realism (Click this title to view a portion of the episode.)

Photo from Google Images

A friend suggested to me that perhaps the dramatic television series, created by Matthew Weiner, entitled, Mad Men, may have iconic realism embedded within some of the episodes. I had never viewed the series, so she sent me the episode posted above.

After pondering this a while, I saw iconic realism in the writers' use of the iconic concept of a wheel, 'the original technology.' Here, the character, and forgive me, but I don't remember his name, explains the significance of a carousel, an iconic representation of childhood, as a vehicle to transport an adult to an emotional safe haven. He uses the rhetorical mode of sympathetic speech, drawing from pleasant memories to engage his audience.

What makes this iconic realism is that a group of men in the early sixties when men were trained to hide their emotions, is reacting emotionally to this speaker. The focus of the wheel, or carousel, illustrates that element of human nature found in every culture: the continuous need to feel loved. Even though the setting of this drama is in the mid-twentieth century, this cultural phenomenon is also significant in the twenty-first century. In fact, the need for love and comfort as a safe haven is a human trait that will most likely continue for centuries into the future. Round and round we go, creating those 'Kodak moments' on this carousel called life.

Jeanne d'Arc and Iconic Realism

        

                    

                                                                                     Jeanne d'Arc's Death at the Stake,                                    

                                       by Hermann Stilke (1803–1860)                            

    To commemorate All Hallow's Eve and All Saints Day,  I present to you this post on my patron saint, Jeanne D'Arc. I've chosen this painting to illustrate iconic realism. Images merge within this painting of Jeanne d’Arc to provide an interpretation that represents the presence of hope that humanity, with all its industry, will recognize the value in the temporal nature of innocence. Interpretation of this work of art may include a variety of perspectives to complement the number of viewers of the specific art. At this moment of perception, then, the artist and the viewer become collaborators. 

     Once this cognitive collaboration between artist and viewer occurs, the cultural interpretation begins to transform into a collection of new perspectives, based on the historicity of the viewers. Nicholas Davey states, “Hermeneutic thought articulates the conviction that art does not represent (vorstellen), copy or falsify the given world but allows that which is within the world to present (darstellen) or actualize itself (verwirklichen) more fully.” [1] New perceptions of a creative work shape newly actualized interpretations of the original work of art, which eventually become accepted interpretations of a community. Once the community recognizes these interpretations, the iconic becomes a reality.

     Through the establishment of an iconic figure within the mind-set of the community, an artist can then place this icon in a new reality that the community does not accept as the normal setting for this iconic figure. This placement allows the artist to make a statement that brings awareness to the community’s consciousness of an aspect within its culture that may need some attention. Jeanne d'Arc illustrated iconic realism in that she was a woman dressed in armor as a medieval man would be, leading French armies for God. In this role, she was able to win freedom for France even though it cost her life. Thus, warring for freedom led to her own freedom.  

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[1] Davey, Nicholas. “Hermeneutics and Art Theory.” A Companion to Art Theory. eds. Paul  Smith and Carolyn Wilde. (Oxford: Blackwell, 2002) 149.

Walt Disney's 'Fantasia,' All Hallows Eve, and Iconic Realism

When the Walt Disney studios created the classic film, Fantasia, I wonder if they knew that future generations would be able to view their artistry via the technology of today. This scene directly follows "Night on Bald Mountain" where satanic forces pervade this same space. In the "Ave Maria" segment, the Disney artists have drawn realistic scenes of a pre-dawn woodland. The fervor of the night transforms into a peaceful daylight, conveyed through Franz Schubert's "Ave Maria" and a silent parade of 'saintly' images carrying torches. The placement of these individuals passing through this fertile woodland illustrates that humanity finds enlightened strength in an inner peace.

 Click here to view video of Disney's 'Ave Maria' from "Fantasia"

(Photo from Disney film, Fantasia, Google Images)

Click here to view Disney's "Fantasia" Final Chapter, Part 2 (Night on Bald Mountain) 

Political Media Campaigns and Iconic Realism

As the United States Presidential 2024 election draws near, I see an even greater increase in the use of iconic realism among many of the political candidates' ads. Making sure a photo opportunity occurs in an iconic venue, be it a local diner, children's playground, senior citizen home, hospital, battle ground or board room, the television ads present these individuals as earnestly engaging in some form of community involvement to illustrate the need for cultural reform.

In contrast, campaign mud-slinging by both candidates perpetuates confusion in the public mind-set when it would help a candidate to demonstrate respectful dialogue to provide the public with appropriate incentive to vote for one candidate over the other.

Personally, I would prefer to view the type of campaign ad that uses a positive form of iconic realism, which demonstrates that a candidate may actually have an innovative thought for positive action, presented in a creative and intelligent manner.

Tyree Guyton's 'Heidelberg Project' and Iconic Realism (Click this title to view more information)

Tyree Guyton, photo from Google Images

Soles of Detroit photo from Google Images

A while ago, I was channel surfing and happened upon a series of shows on the Green Planet channel entitled, "Detroit in Overdrive." Well, having been born and raised through my 14th year of life in the fine Metro Detroit area, I just had to watch these shows. And they brought tears to my eyes. One particular story, which focused on Tyree Guyton's Heidelberg Project, immediately struck me, for it was a perfect demonstration of iconic realism. Thank you, Tyree! 

Mr. Guyton has assembled a collection of iconic items that many people had discarded, including houses in his neighborhood. He applied his artistic talent to breathe life into the objects while simultaneously illustrated to those blessed with viewing this project with an awareness of possibility. He has turned blight into right! His juxtaposition of trash turned into art, in the midst of a forgotten and neglected neighborhood, demonstrates the cultural renaissance that is taking place in Detroit through the creative perseverance of dedicated individuals. 

Another fascinating aspect of this project centers on shoes. Mr. Guyton has collected shoes of all shapes and sizes, restored and newly painted by the members of the community. He has arranged those works of art in the middle of a street, providing his audience with an awareness of Detroit's restored soles as a visual testimony of the soulful restoration that occurs when dedication to the creativity and energy of a community transforms that community's heart and vitality. God bless you, Tyree Guyton! Onward!