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The Photograph

“...and lo, I am with you always, even unto the end of the world. Amen." (Matthew 28:20) kjv
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:

2026: I am writing my third book on iconic realism.

November 2025: New England Regional Conference for Irish Studies, Massachusetts College of Liberal Arts, "Sociolinguistic Evidence in James Joyce’s Ulysses: The Use of Language to Express the Semiotic Theory of Iconic Realism"

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

18 April, 2026

Bostonian, Mercy Otis Warren, "Muse of the American Revolution"


Mercy Otis Warren, photo from cover of book:
Mercy Otis Warren: The Muse of the American Revolution

Mercy Otis Warren was born in 1728 in Boston, Massachusetts. Her father was a successful businessman and an acquaintance of John Adams and his family and circle of friends. Warren observed the intensity with which her contemporaries had to live in order to receive the dignified respect that any human being would rightly expect to receive. Within her plays and essays, she included the concept of human rights advocacy and relevant themes of independence, juxtaposed with iconic characters and structures to bring awareness to her audience of the need for social and political transformation.

For example, in her 1773 play, The Adulateur, Warren described the issue of individual rights through the speech of her main character, Brutus:

            The change how drear! The sullen ghost of bondage
            Stalks full in view—already with her pinions,
            She shades the affrighted land—the insulting soldiers
            Tread down our choicest rights; while hoodwinked justice
            Drops her scales, and totters from her basis.
            Thus torn with nameless wounds, my bleeding country
            Demands a tear – that tear I’ll freely give her. 


[1] Mercy Otis Warren, The Adulateur, Act I, Scene I, Boston: New Printing Office, 1773.
        

16 April, 2026

The Great Escape movie and Iconic Realism


The Great Escape movie poster from 'Duck Duck Go' Images

Once, I was channel surfing and landed on The Great Escape, a 1963 film directed by John Sturges. I couldn't help but notice that this film illustrates the semiotic theory of iconic realism in that the audience perceives icons of both freedom and constraint through the character representations of the Allied prisoners of WWII and the German gestapo. 

As the film progresses with bucolic settings that also provide a perception of freedom, only to be constrained by the Nazi forces, the viewer becomes poignantly aware of freedom and its multiple forms. In the end, those characters who are still alive, question their need for physical freedom from the p.o.w. camp as they learn to appreciate their spiritual, intellectual, and emotional autonomy. 

To hear me read this, please click HERE.


14 April, 2026

Ode to Skunk Cabbage

Below, you will find my favorite spring poem. It has nothing to do with iconic realism. Today is a beautiful, early spring day here, and I just felt like sharing this. Hope you enjoy it!


Photo of Skunk Cabbage


Ode to Skunk Cabbage

Bursting forth from its ruddy milieu
a flower erects from its hooded spathe.
This courageous prophet boldly
faces the frigid air with confidence,
radiating silently, as if to say,
“Come to me, for I offer
nourishment you need now.”
Sweet attraction allures, and she comes:
the beetle, the spider, the queen bee,
warmed by the generosity
of Spring’s first flower.
Odiferous, proud, protective,
he inspires other fragrant flora
to engender beauty.
Now, Spring has arrived
with the burgeoning
of the exceptional Skunk Cabbage.

© Jeanne I. Lakatos