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The Photograph

“...and lo, I am with you always, even unto the end of the world. Amen." (Matthew 28:20) kjv. (Photo: Lough Key, County Roscommon, Ireland)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:

2026: I am writing my third book on iconic realism.

November 2025: New England Regional Conference for Irish Studies, Massachusetts College of Liberal Arts, "Sociolinguistic Evidence in James Joyce’s Ulysses: The Use of Language to Express the Semiotic Theory of Iconic Realism"

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

06 December, 2025

Saint Nicholas and Iconic Realism

The Charity of Saint Nicholas 
by Girolamo Macchietti, c. 1580

Saint Nicholas is an obscure individual, but the man that many Christians honor on December 6 was most likely the Bishop of Myra during Constantine the Great's era in the 4th century A.D.  It has been said that he performed various miracles in regard to saving children from the harsh realities of that time. Eventually, he was honored in Holland, where he was known as Sinterklaas and on to the American colonies, New Amsterdam in particular. New Amsterdam would become New York City, and here in the United States, we are all familiar with Santa Claus. 

Now, how does this saintly man illustrate my semiotic theory of iconic realism? 

1. He is a realistic, iconic figure. 

2. His story presents him as one who was able to perform miracles, placing him in iconic, realistic settings, not associated with those in power at that time. 

3. Even though he had certain administrative powers within Church Law, he chose to help the innocent and less fortunate in order to transform people's hearts, bringing them closer to the Mind of God. 


04 December, 2025

Frank Capra's 'It's a Wonderful Life' and Iconic Realism (Click this title to view bar scene from the film.)


Photo from Google Images: bar scene from film, It's a Wonderful Life

The 1946 film, It's a Wonderful Life, produced and directed by Frank Capra, illustrates iconic realism through the character of Clarence the angel. Here, an icon of virtue takes the good-hearted man, George Bailey, by the hand to show him the positive impact he has made on the consciousness of his hometown. 
This juxtaposition of the wealth in righteousness versus the poverty of the inane demonstrates how one individual's benevolent acts can positively affect the lives and ultimately the culture of a community. 

02 December, 2025

Blade Runner and Iconic Realism

Photo from Google Images

The 1982 film, Blade Runner, directed by Ridley Scott, screenplay written by Hampton Fancher, is based on the novel, Do Androids Dream of Electric Sheep? by Philip K. Dick. In the film set in a futuristic Los Angeles, Harrison Ford’s character, Deckard, has a mission to terminate 4 replicants. 

However, his iconic character of the rugged cop experiences a change of conscience as emotional turmoil enters his stark reality. This film contains several illustrations of iconic realism through the use of iconic images overlaid with obscure, futuristic settings that bring the audience to an awareness of the ambiguous reality faced by humans as we deal with various forms of strength and weakness. Moreover, this film offers questions surrounding the applications of artificial intelligence, which, at the time of this writing, have very little connection with human consciousness.