photograph

photograph

The Photograph

"Now may the Lord of peace himself give you peace at all times in every way. The Lord be with you all." (2 Thessalonians 3:16)
Protected by Copyscape Online Infringement Checker

Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:

2023-25: I am writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

21 November, 2024

White Wolves-"Fear" and Iconic Realism


Click HERE to view video

In this beautiful musical presentation by IceFloeSoul, with lyrics sung by Sarah McLachlan's mystical voice, the concept of stewardship once again appears through the illustration of the iconic white wolf in late winter/early spring, a symbol of freedom. This video lets the audience see this animal and hear its haunting voice, along with voices of other animals and sights of natural parallel structures. The juxtaposition of this visual and aural experience with contemporary music and words that describe a love theme provides the audience with awareness of the human connection to and responsibility for maintenance of a healthful environment, alerting us to possible limitations of freedom and corollary fear, if we are not watchful.  

20 November, 2024

Iconic realism in Music


Click the image above to hear ambient music with nature sounds

From my book, p. 77: 

A community will associate specific meaning with a sound, connecting interpretation with cultural significance. Continued and consistent associations with sound sources create iconic structures within the musical compositions of the community. These structures originate from musical instruments including the human voice, sounds of the environment, or synthesized sound sources, each source signifying a specific aspect of a community’s culture. 

A composer incorporates the semiotic theory of iconic realism through placement of the established iconic structure in a new, realistic setting, not traditional for such an iconic structure. The created dissonance alerts the listening audience to a new association, bringing awareness to a cultural dilemma represented by this innovative musical construct.  

Since music is an aural art form, the structure which music contains depends on two parameters: time and space. Sound waves travel through space within a specific time frame. Musical composition consists of metrical patterns, rhythm, arrangement of pitch variations conveyed through instrumentation and notation of musical dynamics changing the speed and intensity of those pitches. A composer determines the amount of time and space needed to express her/his art within these parameters. The semiotic component of music is most present in the genre of opera, in which music aligns with narration aurally and kinesthetically. 

The listener is an active participant in the musical flow, assimilating the sensory stimuli received from the sound source with the tonal information of the musical composition as well as the visual stimulation of the stage presentation. In this sense, the composers, the musicians and the audience collaborate albeit in an autonomous manner, forming an interpretation. 

Iconic realism in music involves the sounds of nature, outer space or any object not associated with a musical instrument, that has been synthesized with traditional musical instruments of an orchestra, jazz group, or contemporary musical group. The juxtaposition of the natural or tech sounds with the orchestral music illustrates an aspect of cultural reform, as established by the composer of the musical piece. 

We hear this kind of musical juxtaposition in many of the spa-like pieces that incorporate the sounds of wolves, birds, frogs with ambient, meditation music. Click the image above to hear an example from YouTube. 



19 November, 2024

James Joyce's Ulysses: Breathing in Natural and New Laws


Often, individuals perceive the world in terms of various human laws and semantic representations established by the community. These laws or rules of thought have been the subject of many philosophers throughout history. One such philosopher was Thomas Aquinas, who described differences between natural law and new law, represented by Christ. 

Dr. Taylor Marshall, who devoted his doctoral dissertation to Thomas Aquinas’ philosophical approach to such laws, states: 

Natural law is not the same as ‘laws of nature’ such as gravity. Natural law is an inward inclination toward the good and the avoidance of evil. It is a natural operating system. Thomas [Aquinas] explicitly teaches it is not chiefly a set of moral commandments. Rather it is an inclination humans have toward the good. (43)

Dr. Marshall continues with his discussion of Natural Law versus Thomas Aquinas’ interpretation of New Law in which he states: 

The New Law of the Gospel fulfills what is lacking in the natural law. It is required that every Christian seek to prayerfully persuade every man and woman on Earth to enter into the New Law of Christ.” (44) 

In his novel, Ulysses, James Joyce illustrates the manner in which human beings manage these laws, both Natural and New, as he weaves in and out of Leopold Bloom’s odyssey as if he were a spirit, acknowledging the human frailties and the responsibilities that many leave deposited along the wayside of their life’s journeys. He utilizes Bloom’s adventure to reveal this spiritual arc to the reader through a combination of language, human interactions, and observations.

As a reader of Joyce’s Ulysses inhales and exhales this linguistic masterpiece, an opportunity exists to affect change in the reader’s consciousness and perhaps even in one’s own community. Through his configuration of various linguistic and literary styles to illustrate various societal constraints, Joyce presents his reading audience with views of his own cognitive dissonance, represented as the other through Leopold Bloom, as well as the distinction between the Irish consciousness and that of other countries in Europe during the first world war years. 

Joyce releases his own constraints and embraces the possibilities associated with challenging stereotypes, linguistic barriers and cultural standards. He creates his own version of Nature and New Laws. His extensive references to elitist whims within this novel contribute to the iconic intricacies of dissonant cultures existing in the midst of a torn tapestry of Dublin and Europe as the people deal with the post and pre- world wars. Indeed, Joyce’s use of iconic realism throughout his novel, Ulysses, creates an awareness of the need for cultural change.

Marshall, Taylor, Ph.D., Thomas Aquinas in Fifty Pages, Electronic Copyright, Texas, U.S.A., 2013. 

17 November, 2024

Sándor Liezen-Mayer's Painting, "St. Elisabeth of Hungary" and Iconic Realism


Sándor Liezen-Mayer Saint Elisabeth of Hungary
Hungarian National Gallery, Budapest


During the Christmas season, we see paintings depicting the birth of Jesus. As a woman of Hungarian ancestry (Lakatos is Hungarian for 'locksmith'), I was intrigued by this beautiful painting of St. Elisabeth of Hungary by Sandor Liezen-Mayer. Here, we see a Madonna-like figure and her infant child in a lowly state with Elisabeth extending her royal cloak to them.


An example of iconic realism, this painting illustrates the humility of the origins of Christian precepts and the balance of power when this humility extends from all levels of society. Liezen-Mayer does this through the variation of color, shading, and interaction between the architecture and human figures. Tragically widowed at the age of 20, Szent Erzsébet devoted her short life to charitable works in Germany and Europe. She died in 1231, at the age of 24. Her feast day is November 17

16 November, 2024

"Don't Stop Believing" and Iconic Realism


Photo of a lake in New England

Any song that speaks of south Detroit draws my attention, and the classic song, "Don't Stop Believing" by Journey is no exception. The iconic images of the human struggle with emotions juxtaposed with light and enlightenment brings the audience of this song in tune with the perpetual dilemma of humanity's search for meaning. "It goes on and on and on and on."



Don't Stop Believing

by Journey

Just a small town girl, livin' in a lonely world
She took the midnight train goin' anywhere
Just a city boy, born and raised in south Detroit
He took the midnight train goin' anywhere

A singer in a smokey room
A smell of wine and cheap perfume
For a smile they can share the night
It goes on and on and on and on

Chorus:
Strangers waiting, up and down the boulevard
Their shadows searching in the night
Streetlights people, living just to find emotion
Hiding, somewhere in the night

Working hard to get my fill,
Everybody wants a thrill
Payin' anything to roll the dice,
just one more time
Some will win, some will lose
Some were born to sing the blues
Oh, the movie never ends
It goes on and on and on and on

(chorus)

Don't stop believin'
Hold on to the feelin'
Streetlight people