Often, individuals perceive the world in terms of various human laws and semantic representations established by the community. These laws or rules of thought have been the subject of many philosophers throughout history. One such philosopher was Thomas Aquinas, who described differences between natural law and new law, represented by Christ.
Dr. Taylor Marshall, who devoted his doctoral dissertation to Thomas Aquinas’ philosophical approach to such laws, states:
Natural law is not the same as ‘laws of nature’ such as gravity. Natural law is an inward inclination toward the good and the avoidance of evil. It is a natural operating system. Thomas [Aquinas] explicitly teaches it is not chiefly a set of moral commandments. Rather it is an inclination humans have toward the good. (43)
Dr. Marshall continues with his discussion of Natural Law versus Thomas Aquinas’ interpretation of New Law in which he states:
The New Law of the Gospel fulfills what is lacking in the natural law. It is required that every Christian seek to prayerfully persuade every man and woman on Earth to enter into the New Law of Christ.” (44)
In his novel, Ulysses, James Joyce illustrates the manner in which human beings manage these laws, both Natural and New, as he weaves in and out of Leopold Bloom’s odyssey as if he were a spirit, acknowledging the human frailties and the responsibilities that many leave deposited along the wayside of their life’s journeys. He utilizes Bloom’s adventure to reveal this spiritual arc to the reader through a combination of language, human interactions, and observations.
As a reader of Joyce’s Ulysses inhales and exhales this linguistic masterpiece, an opportunity exists to affect change in the reader’s consciousness and perhaps even in one’s own community. Through his configuration of various linguistic and literary styles to illustrate various societal constraints, Joyce presents his reading audience with views of his own cognitive dissonance, represented as the other through Leopold Bloom, as well as the distinction between the Irish consciousness and that of other countries in Europe during the first world war years.
Joyce releases his own constraints and embraces the possibilities associated with challenging stereotypes, linguistic barriers and cultural standards. He creates his own version of Nature and New Laws. His extensive references to elitist whims within this novel contribute to the iconic intricacies of dissonant cultures existing in the midst of a torn tapestry of Dublin and Europe as the people deal with the post and pre- world wars. Indeed, Joyce’s use of iconic realism throughout his novel, Ulysses, creates an awareness of the need for cultural change.
