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The Photograph

"Now may the Lord of peace himself give you peace at all times in every way. The Lord be with you all." (2 Thessalonians 3:16)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:

2023-25: I am writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

24 September, 2024

Feeling and Realism in Artistic Expression (Click here to view an example of art and reality.)

Bill Shannon's 'Crutch[es]'
photo from Duck Duck Go Images from kqed.org
 

Artistic choice enables the audience to experience an historical and emotional bond with the artist. For example, if pleasure and pain are derived through the senses, then the realism with which an artist chooses to place an iconic representation will provide the audience and the artist certain sensory stimuli to which the audience responds through the experience of consciously receiving the artistic renderings (Lakatos 39). One connects with artistic expression by responding to the extension of the artist. Thus, the artist and the audience become collaborators in their interpretation of the presented work of art.

In the example of Bill Shannon's "Crutch", he explains the varying responsive communication between artist and audience. He demonstrates iconic realism in the following manner. He uses a crutch, an icon for limitation, and turns it into a vehicle of mastery, leverage, competence, and capability. Brilliant!