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My books

Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris
To view my page on the Edwin Mellen Press website, please click below:

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:
November, 2016 @ Massachusetts Maritime Academy:
"A Terrible Beauty is Born"...The Semiotic Theory of Iconic Realism and William Butler Yeats' poem, Easter 1916
April, 2016 @ University of Notre Dame:
A 'Daughter of Attila' Speaks: The Semiotic Theory of Iconic Realism in the Cultural Identity of Irish Celts and Magyars
Dates pending: I will present the theory of iconic realism at universities and art institutes which have purchased my book.



01 October, 2018

Brandon Balengee, Bio-Artist, and Iconic Realism (Click onto this title to see and hear Brandon Balengee discuss his research/art.)


Here, Brandon Ballengee, artist and scientist, collaborates with communities around the world to bring awareness of environmental change. His source is the iconic feature of ancient civilizations, the pond. Ballengee's research follows the phenomena of mutation in the amphibian populations worldwide. Then, he uses his skill as an artist to create awareness of this biological variance, focusing his audience's attention on environmental transformation.

14 September, 2018

Salvador Dalí and Iconic Realism


       The Rose by Salvador Dalí, photo from Google Images

     Suspended in an azure sky, a full, red, dew-kissed rose hovers over a muddy, obscure landscape with a visual representation of humanity strategically painted directly beneath the rose, as if this figure receives the flower’s beauty.  A delicate cloud wisps above the rose, giving the impression of an omniscient breath.  In this painting, the artist, Salvador Dalí, presents the colorful visual stimulus to illustrate an iconic representation of a rose, traditional symbol of love. 

However, he places this garden flower in a detached yet dominating position within his fair sky. Although the foreground has a realistic tone, the central position of this suspended rose has a surreal quality. Through this configuration, Dalí stimulates the consciousness of his audience with his visual associations to reality of the rose, the two people and the landscape. Using mainly primary colors, he places the rose above rather than within the landscape, hovering directly above the humans, he creates a form of symbolism representing an overseeing life force that captures a viewer’s imagination. 

Here, Dalí incorporates iconic realism in his painting by rendering an iconic form (the rose) within a realistic setting in which the iconic structure is not traditionally perceived (hovering in mid-air over a desert landscape) in order to bring an audience to a renewed awareness of the significance and transformation that occurs with the primal cultural activity of human interaction.  (Lakatos, The Theory of Iconic Realism: Understanding the Arts through Cultural Context)


04 September, 2018

Goethe's _Dr. Faust: The Tragedy_ and Iconic Realism (Click onto this title to see and hear "Faust"-Murnau 1926, The Dark)


In his play, Faust: The Tragedy (Faust. Der Tragödie), Johann Wolfgang von Goethe provides an illustration of iconic realism in that he places an iconic character, Mephistopheles, representing the complexities of evil/negation in the presence of the realistic, emotionally charged character, Dr. Faust, who struggles with his own perception of a quality human experience.
The disguised Mephistopheles makes a deal with Faust, and cultural lessons unfold. In the end, through the interactions of the feminine character, Gretchen, Mephistopheles and Faust, Goethe elucidates his audience of redeeming cultural virtues of honesty, integrity, and perseverance.

21 August, 2018

Edvard Grieg's Peer Gynt Suite, Music and Iconic Realism



         A delicate melody flows from a flute. One by one, the oboe, then strings, echo this melody until the orchestra swells with the soft, yet intensely resonating melody. Eventually, every section of the orchestra sings this song of peaceful resolve, as the audience awakens to Edvard Grieg’s Peer Gynt Suite Number 1, Opus 46.  Grieg introduces the gentlest instruments of the orchestra and gradually blends in the strength of the entire string and brass sections with a calm resonance a listening audience could associate with morning sunrise. Grieg’s opus illustrates iconic realism as each member of the audience attends to this aural depiction of the dawn of something within its consciousness, interpreting possibility in variation with a theme.

       Iconic structures in music include those resonating mechanisms that represent a specific sound source recognized by a community. These aural sources could include human made instruments, the human voice or natural sounds common within a specific environment. For example, the oboe is a wind instrument that produces sounds very close in frequency and intensity to the human voice. In many baroque pieces of music, which were composed during the enlightenment of human culture, the oboe is a featured instrument, which establishes the iconic nature of the oboe within a musical piece constructed of other wind instruments.

         Since the human voice would not naturally be situated in a musical ensemble, the placement of this icon for the human voice provides the listener an opportunity to attend to this iconic realism within the musical genre of artistic expression and feel the dissonant harmonics that naturally resolve to consonance when the oboe blends with the instrumentation. This aural exercise incorporates resonating sound waves with the listener’s memory, which leads to an interpretation of the sound and thus, the association of meaning to the specific sound. 

(from my book, The Theory of Iconic Realism: Understanding the Arts through Cultural Context)

09 August, 2018

United States Constitution: First Amendment Rights Expressed

Amendment I of the United States Constitution
Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

With humble gratitude to our insightful forefathers, we citizens of the United States of America have the right to express ourselves in a public domain. A few years ago, I was viewing an entertaining site on Youtube, the Shaytards, and I was struck by the intensity of the father of this family, discussing his religious belief in a calm, normal speaking voice in the middle of a department store. He was simply posting his daily entry to his site. It was inspiring to see and an excellent example of iconic realism.

Below is the demonstration:
1. An iconic figure (the head of a nuclear family, a father), expressed his Christian beliefs to his viewers.
2. The iconic figure in the midst of a realistic setting, not usually associated with this icon. (He expressed himself in the middle of a department store, as he shopped, not the usual place for such a discussion.)
3. This placement represents a needed cultural transformation. (He was exercising his 1st Amendment right to express himself freely, as guaranteed by our Constitution.)

Click on the site below to view this discussion:
http://www.youtube.com/watch?v=fgwodehtWEI

With so many individuals being silenced by some corporations that run major social websites, I have to wonder if the CEOs of these corporate bullies have ever read the U.S. Constitution.