The Photograph

My books, standing in the garden (They needed the fresh air.)


My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris
To view my page on the Edwin Mellen Press website, please click below:


I have demonstrated or will demonstrate the application of this theory at the following locations:
November, 2016 @ Massachusetts Maritime Academy:
"A Terrible Beauty is Born"...The Semiotic Theory of Iconic Realism and William Butler Yeats' poem, Easter 1916
April, 2016 @ University of Notre Dame:
A 'Daughter of Attila' Speaks: The Semiotic Theory of Iconic Realism in the Cultural Identity of Irish Celts and Magyars
Dates pending: I will present the theory of iconic realism at universities and art institutes which have purchased my book.

04 July, 2009

The Great Escape and Iconic Realism

I was channel surfing the other day and landed on The Great Escape, a 1963 film directed by John Sturges. I couldn't help notice that this film illustrates the semiotic theory of iconic realism in that the audience perceives icons of both freedom and constraint through character representation of the Allied prisoners of WWII and the German Gestapo. As the film progresses with bucolic settings that also provide a perception of freedom, only to be constrained by the Nazi forces, the viewer becomes poignantly aware of freedom and its multiple forms of limitation. In the end, those characters who are still alive, question their need for physical freedom from the pow camp as they learn to appreciate their individual spiritual, intellectual and emotional autonomy.