photograph

photograph

The Photograph

One of the lucky turkeys in Danbury, Connecticut.

Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris
To view my page on the Edwin Mellen Press website, please click below:

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:
April, 2016 @ University of Notre Dame:
A 'Daughter of Attila' Speaks: The Semiotic Theory of Iconic Realism in the Cultural Identity of Irish Celts and Magyars
November, 2016 @ Massachusetts Maritime Academy:
"A Terrible Beauty is Born"...The Semiotic Theory of Iconic Realism and William Butler Yeats' poem, Easter 1916
Dates pending: I will present the theory of iconic realism at universities and art institutes which have purchased my book.



19 August, 2009

Vincent Van Gogh and Iconic Realism (Click onto title to hear Don McLean sing "Vincent" with accompanying Van Gogh paintings.)










Vincent Van Gogh

calligraphy by Huang Xiang

painting by William Rock


Starry Night by Vincent Van Gogh


Van Gogh
(Translation of Huang Xiang's poetry, written in Chinese calligraphy on painting)

The painting holds high like torchesSunflowers turning high-heaven's blazing

SUN
To burn up the magnificent painting spirit stopped by a bulletTo burn down the temple of golden yellow
Opaque color -dabs like clots of
Blood
Gush fiery tears
Struggling lines feverishly erupt, twitching like raw nerves

The back view of a giant
Reappears

An audience interprets visual art by incorporating the artistic components of color, form, line and texture. Each of these elements could be an iconic representation in that a community establishes a specific association with the artistic component. Over time, this component represents an aspect of the culture, which established the association. When the artist places this specific element in a realistic setting to convey another cultural issue, the use of iconic realism enables the viewing audience to interpret a new cultural dilemma (Lakatos 59).


An example of using a visual image to enhance meaning through the collective memory of a community exists within Vincent Van Gogh’s Starry Night. He centrally places an iconic, celestial figure: moon, sun, stars, as a focal point, disproportionate to the small village With wide, brush strokes, he creates movement and thus, a memory that transcends the primary source of his painting, that of the cosmic link between structure of a silent society and chaos. He paints contrasts of light and dark, structure and non-structure, illuminating his audience of the need to consider the bleak constraints of organized spirituality. He paints a magnificent challenge for the members to consider enlightenment as an action that illumines the darkness of the soul. In this painting, Van Gogh illustrates his personal connection with nature and spirituality.