In his play, Molly Sweeney, Brian Friel utilizes theatrical dialogue between his three main characters, situated in connection with Molly’s blindness. Her blindness enables her to ‘see’ the world in a way that the sighted cannot. She transports the other characters and thus, the audience, from ignorance to awareness of cultural expectations. Friel’s Molly Sweeney is a literary representation of the iconic figure of Cathleen Ni Houlihan, and he creates the icon as a realistic woman with real perceptions in order to bring the audience to an awareness of the cultural dilemma of the dichotomy within the Irish historical perception of self. Friel connects Molly’s new sight with an overall feeling of anxiety that could be the personal reactions of one individual’s yearning for courage or a nation’s.
- Dr. Jeanne Iris
- Current: Danbury, CT, United States
- Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!
To view my page on the Edwin Mellen Press website, please click below:
05 October, 2009
04 October, 2009
This week's assignment from TFE involved our viewing a photograph from TFE's collection and writing a poem. As you can see, I chose the photograph entitled, "Fitzer's Alley."
Fitzer had a close call back in 2005
He made it as far as
the star-shaped puddles
there in the groundwork,
along with the genesis of life:
dollops of debris, mud and grit.
Then someone called him back.
He had more art to refine, so
he left his design on the wall.
See, he just had to make sure
he’d find his way on the return.
He’s in good company:
Kar, Palmer, IC, Ar’y.
and other obscure names
inscribed upon those walls
that humans love to build,
safeguarding their passions.
More artists, I suppose they are,
called back to finish their work
inspiring, creating, envisioning
their universe or universals
helping the rest of us find our way.
© Jeanne I. Lakatos 2009