photograph

photograph

The Photograph

One of the lucky turkeys in Danbury, Connecticut.

Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris
To view my page on the Edwin Mellen Press website, please click below:

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:
April, 2016 @ University of Notre Dame:
A 'Daughter of Attila' Speaks: The Semiotic Theory of Iconic Realism in the Cultural Identity of Irish Celts and Magyars
November, 2016 @ Massachusetts Maritime Academy:
"A Terrible Beauty is Born"...The Semiotic Theory of Iconic Realism and William Butler Yeats' poem, Easter 1916
Dates pending: I will present the theory of iconic realism at universities and art institutes which have purchased my book.



01 February, 2017

Longfellow's "Evangeline" and Iconic Realism (Click onto this title to hear the song, Evangeline, sung by Annie Blanchard en français)


Photo from Google Images

My favorite narrative poem, Evangeline, written by Henry Wadsworth Longfellow, beautifully illustrates the theory of iconic realism. Longfellow writes of an iconic love between two Acadian villagers, separated by imperialistic orders of the British military.

As the two lovers set off on their lifelong quest, alone yet jointly searching through the American wilderness with hope of an eventual reunion, the audience becomes aware of diminishing cultures across this vast continent as one community gains control over another with little regard for cultural tolerance. In the final stanza of this epic poem, Longfellow illustrates that a culture, like love, may go through changes, but with God's gift of human perseverance, both a culture and love will prevail:

Still stands the forest primeval; but far away from its shadow, 
Side by side, in their nameless graves, the lovers are sleeping. 
Under the humble walls of the little Catholic churchyard, 
In the heart of the city, they lie, unknown and unnoticed; 
Daily the tides of life go ebbing and flowing beside them, 
Thousands of throbbing hearts, where theirs are at rest and forever, 
Thousands of aching brains, where theirs no longer are busy, 
Thousands of toiling hands, where theirs have ceased from their labors, 
Thousands of weary feet, where theirs have completed their journey! 
Still stands the forest primeval; but under the shade of its branches 
Dwells another race, with other customs and language. 
Only along the shore of the mournful and misty Atlantic 
Linger a few Acadian peasants, whose fathers from exile 
Wandered back to their native land to die in its bosom; 
In the fisherman's cot the wheel and the loom are still busy; 
Maidens still wear their Norman caps and their kirtles of homespun, 
And by the evening fire repeat Evangeline's story, 
While from its rocky caverns the deep-voiced, neighboring ocean 
Speaks, and in accents disconsolate answers the wail of the forest.





(Longfellow, Evangeline, Part II, Canto V)