The Photograph

A cup o' coffee on a snowy January morning


My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris
To view my page on the Edwin Mellen Press website, please click below:


I have demonstrated or will demonstrate the application of this theory at the following locations:
April, 2016 @ University of Notre Dame:
A 'Daughter of Attila' Speaks: The Semiotic Theory of Iconic Realism in the Cultural Identity of Irish Celts and Magyars
November, 2016 @ Massachusetts Maritime Academy:
"A Terrible Beauty is Born"...The Semiotic Theory of Iconic Realism and William Butler Yeats' poem, Easter 1916
Dates pending: I will present the theory of iconic realism at universities and art institutes which have purchased my book.

19 August, 2016

William Butler Yeats's poem, "Fragments," and Iconic Realism

I took this photo of a stone etching, commemorating Yeats at Coole Park, Ireland.

The following is an excerpt from my book: 

In his poem, “Fragments,” Yeats rejects the icon of Christian philosopher, John Locke, and insinuates that mankind may not be “inherently good,” for “Locke sank into a swoon” (l.1) In lines 2-4, he writes, “The Garden died;/God took the spinning-jenny/Out of his side.” Since the spinning jenny enabled laborers to produce many more skeins of yarn, this allowed for the presence of many ‘yarns.’ His play on words creates the yarn. God (Jesus), the male icon of Christianity, has removed the tales of faith, the sins for which He was crucified. 

The last stanza provides a reality of the truth, which emanates from a non-Christian source, a medium, then, “Out of nothing it came,” from the Book of Genesis, the beginning of time, and the source of God. He follows this with the pagan version of truth, “Out of the forest loam,” the most fertile, lowest part of the forest floor, where nutrients for the forest thrive. Finally, truth comes “Out of dark night where lay/The crowns of Nineveh.” Here, darkness reveals only ignorance, silence, no words of wisdom, and the source of superficiality. 

Yeats juxtaposes the iconic with realistic in this poem to question the dichotomy of human faith, and moves the reader along his wave of resonating artistic flow, for the following poem in this series is “Leda and the Swan,” his iconic poem that alludes to the rape of Leda in order to illustrate polar opposites in human consciousness.

15 August, 2016

'Global Water Foundation: Africa is Gasping' and Iconic Realism (Click onto this title to see and hear video

Thumbnail photo from YouTube video
While Baton Rouge, Louisiana has been bearing the deluge of rain, 30 + inches in the past few days, there are other parts of the world that have been struggling with drought conditions. That seems to be  the way with natural climate patterns. Climate change is not a modern phenomenon. On the contrary, our beautiful planet's climate has been changing for millions of years. Let's look at one current  method of dealing with the changes that occur, particularly those changes associated with drought. 

An effective way for public service organizations to reach the public is through a multi-sensory approach. Such is the case with the Global Water Foundation. To bring awareness of water shortages throughout the continent of Africa, this organization has created a brief, poignant film using iconic realism as a way to elucidate for its audience this grave ecological issue. In this brief film, the iconic image of a whale leaping out of the desert sand focuses the audience's attention o the increasingly devastating diminution of potable water, not only in Africa, but worldwide.