(I took this photo of my MacBook Air.)
From my book, The Theory of Iconic Realism: Understanding the Arts through Cultural Context p. 25:
As a community determines the identity of a symbol, its structure becomes more eminently definable as interpretations transform this signifier into a more singular representation, an icon. For example, at one time an artistic rendering of a bitten apple might lead one to
associate it with the Biblical story of Eve in the Garden of Eden or perhaps a ripened fruit, ready for the preparation of an
apple pie or some other edible delight.
However, since the latter part of the
twentieth century, within the mobile global community, a bitten apple signifies
an international computer enterprise, an icon for technological innovation.
Hence, a community determines multiple associations with a symbol and
gradually, through consistent development, will move this symbol to its prominent
association as a recognizable icon for the duration that the icon remains a
visible entity within that community.
How does this illustrate the semiotic theory of iconic realism?
1. We begin with a simple, iconic fruit, the apple, with a bite out of it.
2. This natural, simple fruit is placed as a symbol of one of the most technologically forward-thinking corporations.
3. This placement causes an audience to understand the link between the everyday experience of life and its connection with advancing technology.
No comments:
Post a Comment
Note: only a member of this blog may post a comment.