But above the gray land and the spasms of bleak dust, which drift endlessly over it, you perceive, after a moment, the eyes of Doctor T. J. Eckleburg. The eyes of Doctor T. J. Eckleburg are blue and gigantic—their irises are one yard high. They look out of no face, but, instead, from a pair of enormous yellow spectacles which pass over a nonexistent nose. Evidently, some wild wag of an oculist set them there to fatten his practice in the borough of Queens, and then sank down himself into eternal blindness, or forgot them and moved away. But his eyes, dimmed a little by many paintless days, under sun and rain, brood on over the solemn dumping ground. F. Scott Fitzgerald, The Great Gatsby, Chapter 2
In F. Scott Fitzgerald’s, The Great Gatsby, the eyes of Dr. T.J. Eckleburg peer across the ‘dumping ground’ of American spirit. This example of iconic realism portrays eyes as the ‘windows of the soul’ of a country steeping in corruption and superficiality. Fitzgerald places these eyes on an old billboard, gazing across a field of forgotten possessions, bringing into focus awareness of America’s consciousness to be ever vigilant of the forefathers’ intentions of ‘life, liberty, and the pursuit of happiness.’