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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris
To view my page on the Edwin Mellen Press website, please click below:


I have demonstrated or will demonstrate the application of this theory at the following locations:
November, 2016 @ Massachusetts Maritime Academy:
"A Terrible Beauty is Born"...The Semiotic Theory of Iconic Realism and William Butler Yeats' poem, Easter 1916
April, 2016 @ University of Notre Dame:
A 'Daughter of Attila' Speaks: The Semiotic Theory of Iconic Realism in the Cultural Identity of Irish Celts and Magyars
Dates pending: I will present the theory of iconic realism at universities and art institutes which have purchased my book.

18 February, 2009

Rosie the Riveter and Iconic Realism

photo from Google Images

"Rosie the Riveter was an icon of the World War II era. The image of a pretty woman with her hair tied back, flexing her might, was completely out of place for the society’s image of a woman before 1941. However, this image provided inspiration to many women who were in need of money and who wanted to contribute to the war effort. The community was the female population of the United States of America during World War II.  Her image continues to be an icon for feminine strength and perseverance through troubled times. Use of this icon as a source of feminine motivation is an example of the semiotic theory of iconic realism affecting the culture of a community" (Lakatos 81).
"Through the use of the semiotic theory of iconic realism, artists shape the consciousness of various aspects of culture, including education, history, business, and aesthetics whereby their works of art combine an iconic figure with a realistic setting that communicates an incompatibility with the accepted environment in which the audience commonly associates the iconic figure. Understanding the language presented through the art form, be it literary, visual or aural, the audience may even respond with an emotional resistance, as it perceives the iconic representation in this new realistic setting." (Lakatos, The Theory of Iconic Realism: Understanding the Arts through Cultural Context)

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