- Dr. Jeanne Iris
- Current: Danbury, CT, United States
- Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!
13 January, 2009
11 January, 2009
by Jeanne I. Lakatos (aka 'Siobhan an Hun')
Realism comprises authentic and independent aspects of the natural world, which individuals comprehend through sensory perception. The term icon describes a realistic person or realistic object, categorically perceived by a population as representative of a specific human activity or an object that bears significance to human activity. Iconic realism, then, involves the placement of an icon within the midst of a unique realistic setting, out of place for this particular icon, creating a static coalescence of the icon with the designated realism. Since both the icon and the realistic setting represent an aspect of the culture, the resulting friction between these two entities is the catalyst that generates enlightenment of a cultural dilemma.
An example of iconic realism would be an artist’s placement of Jesus the Christ or a representation of this icon of Western philosophy, in the midst of the Iraq War, 2009, an aspect of the real world. This individual in this setting would generate enlightenment of the cultural dilemma, stirring a new consciousness of political and philosophical intentions of United States’ Judeo-Christian philosophy and the activity within the designated, realistic Middle East during this particular time in history and locale.