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The Photograph

“...and lo, I am with you always, even unto the end of the world. Amen." (Matthew 28:20) kjv
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Thank you for visiting. I hope you will find the information insightful. ~ Dr. Jeanne Iris

Announcements:

I have demonstrated or will demonstrate the application of this theory at the following locations:

2023-25: I am writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

11 September, 2025

National 9/11 Memorial, New York City and Iconic Realism

Photo from http://michaeljamescasey.com/blog/wp-content/uploads/2011/01/natl_memorial.jpg

Twenty-four years have passed, and the National 9/11 Memorial in New York City now receives the prayers and reflections of thousands of friends and relatives of those whose lives were taken on September 11, 2001, some of whom still remained buried at this sacred site. The extensive monument bears the names of each victim, around two waterfalls flowing where the two towers of the World Trade Center once defined the skyline of New York City.

This memorial illustrates iconic realism in that the designers have strategically placed the genesis of a woodland paradise, surrounding the Towers’ footprints, now flowing with tranquil waters in the midst of one of this planet's most vibrant cities. The massive garden, with its delicate waterfalls constructed on the site where immense devastation, despair and death occurred, now transpires with a perspective of renewal, hope and life, a memorial that transcends the horror and brings awareness of cultural perseverance combined with the healing strength of elevated consciousness. 

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I wrote this poem the afternoon of September 11, 2001 in Danbury, CT, 65 miles north of the horror, yet close enough to know that the same clouds passing above me just passed over the horror. The wispy clouds almost looked like angels floating above and away from the madness below. Silence… except for the industry of nature.


September 11, 2001

Bellowing clouds of madness
devour cavernous streets
filled with masses 
seeking freedom
from a spumous potion of death.

Silent plumes in an azure sky,
Blessed by the prayers
of three thousand Angels,
newly formed and gliding overhead,
mollify this tableau of horror.

As evening approaches, 
silent stars fill the night firmament. 
No airplanes fly in this night sky.
Delicate crickets chirp; katydids begin to sing.
Strong airy wings of a soaring bird reveal 
a Love that can never die...
Freedom prevails.

© Jeanne I. Lakatos  2001